This was the same period as his The Card Players (The Met, 61.101.1), where figures appear as stationary as a still life in the midst of a card game. 1 above), which is currently dated slightly earlier than The Met’s picture by Rewald (1996), though Venturi (1936) dated both of them 1890–94. The same light pink primroses in a cream-toned flowerpot appear in Pot of Primroses and Fruit (see fig. It was a product of Cézanne’s return to his native Aix-en-Provence that year. This still life has been dated to about 1890. Meanwhile, the sky-colored blue-green background with brushstrokes left clearly visible serves as a reminder of the natural world beyond the picture’s frame. Tim in 1982 as closest to a Chinese primrose ( Primula sinensis see Tim 1982 letter in Met curatorial file), seems to stand and take notice, the observer to the riotous cavalcade of objects in front of it. The flowering plant, identified by botanist Stephen K-M. ![]() ![]() Similarly, the repetitive pyramids of wrinkled cloth and the extreme darks and lights of shadow and light in the white tablecloth enrich our sense of its physicality. The white tablecloth and the apples rise and fall in variegated hillocks of a lush new territory, the world of Cézanne’s apples, where the sense of the solidity of the apples is closely allied to their spherical geometry. The Painting: Paul Cézanne often has been called a master of still-life painting.
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